Happenstance it certainly cannot be that we meet again in the rain.
Not only do we always meet when it rains. We meet in the rain, all the time. This
rain, today’s rain, summoned our ever venerated union – a union of our
arch-personalities. And so here we stand, amid a fusillade of frigid waters
from high up above. A trillion drops wash over us. Drenched we are. Our bodies
shudder from the cold it endures, yet inside of us, a glowing warmth emanates.
The waters cannot drown us because we are no bĂȘtes noires of this rain. The
gurgling streams are but pure ululation – a celebration of you and I, of us.
What else could they limn? Surely this rain loves you. It loves me too.
Otherwise how could it be so effusive in its praise of our meagre presence? I
look into your eyes and I see not the rain but that which pulled you to this
place. That’s a much cherished thing for it also brought me here. And we love
it here in our sacred quasi-heaven. Could
this rain be a cryptogram of some sort? What is it betokening? When anyone
asks, let’s tell them we’ve been betrothed in the rain. Now, come close, my
rain love and let’s dance in the rain.
In My Room/Office/Studio
"A writer and nothing else: a man alone in a room with the English language, trying to get human feelings right." - John K. Hutchen.
Wednesday, March 12, 2014
Letters from the Dead
The
deserted lone shack stands forlornly amid a dense jungle of old, dry and
gnarled mophane trees. A thick, almost physical silence hangs in the
air. High shrieks of sparrows throw an occasional ostinato of dissonant notes
across the air. A trifle shudder creeps through my flesh. Suddenly the environment feels and looks
spooky. The wooden shack and the gloomy
trees are all weather-beaten, like relics from an old time in history. It’s
been many, many years since I’ve last come here. It doesn’t look like my place
anymore. It doesn’t look like what used to be my resort.
I step towards the
structure, my boots snapping brittle twigs. I jump at the somewhat amplified sound of keys
jingling as I scoop them from my pocket.
They echo like graveyard chimes. Almost cautiously, I turn the key,
hearing the rusted mechanism unlatching. The door squeals open. A network of
cobwebs criss-crosses the interior of the shack, glimmering from the dingy
light that squeezes in through the tiny window at the back. A spine-chilling
chorus of squeaking sounds is followed quickly by a flutter of wings flapping.
I duck as a swarm of bats scurry over my head and out through the door into the
woods. My heart races. The back of my
hand wipes perspiration off my brow. Steady yourself, man! A voice whips
through my mind. The hell are you afraid of? This is your house.
I
walk through the cobwebs into my house, wooden floor creaking. There’s a smell
of mildew and mould and bat droppings. I look around. The walls are papered
with copies of poems and songs I wrote years ago, on which many generations of
flies have interpolated new notes. My first acoustic guitar still hangs at the
corner, right where I had left it, but now caged in spider webs, strings
dangling. The guitar is solemn. I walk towards the desk and around it to the rocking
chair I had once upon a time cherished. Slowly and cautiously I wedge myself
into the chair, suspecting it might break under my weight. It doesn’t. And I’m
glad. The notepads and the pencils are still there on the desk – a sign that no
one had ever stepped in here since my last visit; that no one had tampered with
my beautiful writing resort. How come they didn’t give it away after my burial?
They gave away everything. Oh yes, I remember. It’s because of the will. I
stated it in my will. I open one of the notepads. The once clean-white papers
have turned rusty brown. I pick the pencil and start inditing verses. Letters
from the dead. Will they ever believe? The living. Will they ever believe my story?
Extract
from my short story ‘Letters from the Dead’.
Wednesday, March 5, 2014
A Bibliophile in My Class!
It’s
0845 and I’m moving around in a senior class of high school learners, checking
on their individual work. It’s an art
lesson. And I’m an art teacher. All are engrossed, pencils sketching on paper,
paint brushes pouring hues on canvasses, fingers weaving small basket bases.
Then I spot a boy sitting at the far edge of the classroom, tie askew and eyes
cast downwards. I’m about to ask him to fix his tie but I notice that the paper
on his desk is clean white, not a pencil mark on it. The pencil is lying
neglected on the paper. Certainly the boy is not working. But he is
concentrating on something as his eyes are cast downwards on his lap. I can tell
by the look on his face that the boy is far, far off. Could he be texting on a
cell-phone or playing cell-phone games? Maybe Facebooking! That would be like a daredevil
challenge. But his hands are still and there isn’t much fascination that one
would expect to see on the face of a juvenile delighted by the thrills of a
digital game.
“Hey
you! Young boy!” I shout across the room. The boy’s head jerks up and he looks
at me with eyes flashing with panic. “What’s there under your table on your
lap?” I ask, taking brisk steps towards him, lest he tries to hide that thing
which has kept him from working.
‘It’s
nothing, Sir.” He says, eyebrows rising. Lies, lies, lies.
Silly
answer, I think, though I don’t say it out loud. Students don’t ever seem to
learn that we teachers almost always know how they are going to answer to posed
questions.
“What
do you mean by ‘nothing’?” I ask. I’m
hoping the frown that I’m pulling on my face is showing. At home I’ve tried
practicing frown-pulling in front of the mirror but the effect wasn’t very
impressive. I’ve seen men who can pull a fear inducing frown that makes the
flesh between their brows suddenly look like folds on an elephant skin. But I
know that mine is way too mild, yet I pull it nonetheless. Judging by the boy’s
nonchalance, I can tell my frown doesn’t have much effect. I’m now at his desk
and my hand reaches under the table. Instead of a cell-phone, what comes out is
a novel. I look at the cover. Sidney Sheldon. The Doomsday Conspiracy. I look at the boy’s face.
“I’m
sorry Sir,” he says. “I really have to finish this book. If I don’t finish it,
I won’t be able to do anything else.”
“What
do you mean you won’t be able to do anything else?” But somehow I know the
answer. I know what the boy means. And not only do I know, I understand.
“You
won’t understand, Sir. I can’t put this book down.” He sounds very honest and
I’m touched. I’m touched by I try hard not to show it. I look at the book again
and remember that I too became a bibliophile at the boy’s age. At his stage in
life, I had consumed almost the entire school library. I look at the book again
and I shake my head. I feel sorry for him because he is reading a very
addictive author. I contemplate confiscating the book. I look at the boy, very
worried for him.
“Fix
your tie,” I say to him.
Monday, February 24, 2014
COMING SOON
JOSIE - A NOVEL BY LEGODILE SEGANABENG
On February 14th, Josephine carried a bouquet of flowers to Alfred’s home, hoping to resuscitate the love they once had. They had not spoken in a long time. When she arrived, Alfred had just finished taking a bath. He smelled of aftershave.
“What do you want?” he barked. He was standing by the door and didn’t invite her into the house. “You shouldn’t just drop in unannounced!”
“I brought you some flowers,” she said, standing on the porch. She thrust the bouquet of flowers into his hands. Alfred slammed them to the floor between them, scattering individual flowers in all directions. The flowers swayed like little pendulums from the forceful throw, their brilliant red petals contrasted with the white tiles of the floor. She looked at him, teary eyed and filled with contempt.
“What the fuck are these? Do these look like roses to you?” he quipped. “These are damn fake! You can’t even tell the difference between genuine and counterfeit. You bought these moulded plastics from the Chinese outlets, didn’t you?” She was shocked and did not respond.
“These are tomb flowers,” Alfred continued, his bloodshot eyes bearing down on her. “I know that’s all you can afford with your National Service stipend. But these, young lady, are flowers for the dead!”
“
Please don’t say that. You’re hurting me,” she spoke in a weak,
vulnerable voice. Tears spilled from her eyes. He shook his head and stormed
into the house, banging the door so hard that the air it vacuumed outside
ruffled the plastic flowers. For a long time she stood there, staring blankly
at the closed door...
(an extract)
Sunday, May 12, 2013
Mother's Cake
Come here, my daughter.
Sit down and listen to me carefully. Today it’s Mother’s Day. Did you know
that? Okay that’s fine. So now that you know, aren’t you gonna wish Mommy a
happy one? Thanks, love. It sounds so sweet coming from your mouth and makes me
feel proud to be your mother. You know that I love you, don’t you? Great. And
you know your father loves you too. Why do you shake your head? Say that again
louder, angel, I didn’t hear it. You’re not sure your father loves you? Come sit
on Mommy’s lap now. It’s okay, come, come. Ahh, look at that little smile! Sit
on me and hug me tight. Ooh, so heavy now – ten is such a heavy number. Now listen
to Mommy. Daddy isn’t always around because Daddy is a very busy man. But that doesn’t
mean Daddy doesn’t love you. Do you understand, my Love? Good. Daddy is a very
loving father and he loves you as much as I do. When he comes back next week,
look him in the eye and ask him, ‘Daddy, do you love me?’ He will tell it all
to you. I’m always here with you. I’ve always
been with you even before you were born. That is why I’m your mother. And let me tell you something very important about
Daddy. Daddy has always been with you before you were conceived. That is, he’s
been with you before you became a part of me. Worry not, you’ll understand, one
day. Look how grown up you are now. Remember
yesterday you said to me that teacher taught you how to bake? Wonderful. Now, let’s get into the kitchen.
You will bake Mommy a Happy Mother’s Day cake.
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